Thursday, September 8, 2016

Memorization of Numbers onto the Next Level: The PAO System

The PAO system, otherwise known as the Person-Action-Object system, is a system that is used to memorize a long list of numbers combining memory image association with chunking, which creates a powerful mnemonic effect.

The system requires the memorizer to pre-set 300 images, a mere investment that yields much greater rewards.

These images include:
  • 100 People
  • 100 Actions
  • 100 Objects
In essence, creating a system of people, actions, and objects that span from 00-99 yields 100 combinations for each subset of 100 pre-made images, allowing for the total number of combinations of people-actions-objects to be exactly 100 x 100 x 100 = 1,000,000 different image combinations. This means that it will be very rare for the same image to repeat, circumventing the confusing problems that arise when images are repeated too many times in a memory palace. 

To create the list of 100 people, either the Dominic System is used, or the Major System is used. For example, if the list of 100 people is created through the Major System, each number will represent an initial, and it will look something like this:

Using 3 random numbers from 00-99:

10 (T, Z) = Tay Zonday 
19 (D, B) = Derren Brown 
21 (N, T) = Nikola Tesla 


For actions and objects, we may pick whichever actions and objects we want, but it is a good idea to pick actions and objects that are associated with the person. For example:
Action 10 = Singing
Action 19 = Performing Hypnosis
Action 21 = Writing 

Object 10 = Microphone 
Object 19 = A person
Object 21 = Notebook 

So the association for 10 will be: Tay Zonday singing into a microphone. If you can picture that, acknowledge that you just memorized 6 numbers in one image, for Tay Zonday singing into a microphone is the number 101,010 or (10 + 10 + 10) 

The numbers may be mixed up to create novel images every single time. If you want to memorize the number 191,021, or (19 + 10 + 21) all you have to do is take the person from number 19, the action from number 10, and the object from number 21, which makes the image of Derren Brown singing at a notebook. Similarly, the number 212,119 or (21 + 21+ 19) may be combined to make the image of Nikola Tesla writing on a person.  

The fact that 6 numbers at a time can be memorized in only one image at a time, means that you can memorize the 16 number combination, the date, and the number of the back of a credit card in only 4 images, or a phone number in 2 images. 


Edit: A good source on searching up famous people with certain initials can be found here

Saturday, July 23, 2016

Physics: Sound and Light

Things to note:
  1. Determine whether a wave is undisturbed, reflected, refracted, diffracted, or dispersed.
  2. Lenses and mirrors follow the three optics rules: the focal point rule, the object rule and the image rule. 
  3. To solve for the Doppler Effect: when a wave source and observer move towards one another, frequency increases--add Δf to fs to get fo. When a wave source and observer move away from each other, frequency decreases--subtract Δf from fs to get fo. 

Equations: 
  • v = fλ , where 'v' is velocity, 'f' is frequency, and 'λ' is wavelength
  • T = 1/f , where 'T' is period 

*Sound requires a medium to travel, while light does not. The velocity of a wave is dictated by the medium through which it travels, so when a wave travels from one medium to another, its velocity changes according to the features of the new medium. Again, mechanical waves require a medium in which to travel through, while electromagnetic waves such as light are able to travel in the absence of a medium. 

Two characteristics of a given medium determine the velocity of waves traveling through it: 
  1. The medium's elasticity, or resistance to change in shape
  2. The medium's inertia, or resistance to change in motion 
*The velocity of sound waves in a gas is limited by the average speed of the molecules within that gas. Sound waves move more quickly through hot gases than through cold ones. 

Remember, a frequency of a wave that moves from one medium to another does not change, but the velocity does. 

*Heaver and denser media tend to slow waves down, while "stiffer" media tend to speed waves up, because they have greater elasticity, which is caused by increasing intermolecular forces, which consequently move the waves along. 

In general: 

'v' of sound in solid > 'v' of sound in liquid > 'v' of sound in gas




Physiology: Nervous System (General)

Divisions of the brain:

  • Forebrain (Telencephalon & Diencephalon)
    • Diencephalon
      • Hypothalamus
      • Thalmus
    • Cortex
    • Sub-cortical areas
  • Midbrain (Mesencephalon)
    • Tectum & tegmentum
  • Hindbrain (Metencephalon & Myelencephalon) 
    • Cerebellum & Pons
    • Medulla oblongata

CNS:

  • White matter = Tracts/Pathways (Columns = many tracts)
  • Gray matter = Nuclei
PNS: 
  • White matter = Nerves
  • Gray matter = Ganglia

31 Spinal nerves: "812551"
8 cervical
12 thoracic
5 lumbar
5 sacral
1 coccygeal

*Cervical spinal nerves exit from above the respective vertebra. 
     -Spinal nerve root 1 from above C1, and spinal nerve root 2 from b/w C1 and C2
     -The rest of the spinal nerves (Thoracic, lumbar, etc.) emerge from below

-Spinal cord ends at L1

Dorsal roots - Sensory fibers from dorsal root ganglia (DS) 
     -Carries afferent information
Ventral roots - Motor fibers from anterior gray column of spinal cord. (VM)
     -Carries efferent information 

Plexuses:
Cervical plexus (C1-C4) 
     -Innervate the muscles and skin of the neck and shoulder
     -Phrenic nerve supplies motor action of diaphragm. That's why neck injuries are so dangerous. Can cause respiratory arrest.

Brachial plexus: 


Lumbar plexus: 
Innnervates anterior and medial muscles of thigh. 
---

Order of meninges: 
Brain --> pia mater --> arachnoid membrane --> dura mater 

Epidural injections are steroid injections used to reduce the inflammation and pain associated with nerve root compressions. Can be caused by herniated discs, spinal stenosis and etc.
---

Cranial Nerves:

I. Olfactory - Sense of smell
II. Optic - Sense of vision
III. Oculomotor - 4-6 muscles of eye (up & in), and contraction of pupil
IV. Trochlear - oblique muscle of eye (down & out)
V. Trigeminal - V1 opthalamic; V2 maxillary; V3 mandibular
VI. Abducens - Lateral rectus muscle of eye (abducts outwards) 
VII. Facial - Facial expressions; anterior 2/3 tongue; salivary and lacrimal glands
VIII. Vestibulocochlear - Equilibrium & Hearing
IX. Glossopharyngeal - poterior 1/3 tongue; muscles of swallowing; senses carotid BP
X. Vagus - Senses aortic BP, slows heart rate, 
XI. Accessory - Sternocleidomasteroid, trapezius, swallowing
XII. Hypoglossal - Innervation of tongue muscles

Locations in order, First 2 in Forebrain, second 2 in midbrain (brainstem), third 4 in pons (brainstem), last 4 in medulla (brainstem) 

Tests:
Olfactory - sniff coffee beans
Optic - Visual fields
Oculomotor - present eye with light for pupilary reflexes. Should move up & in. The eyes go down and out if there is a problem
Trochlear - Extraoecular movements. If eye can't go down & out, there is a problem 
Trigeminal - light touch, plus corneal reflex, and clench teeth and open mouth against resistance.
Abducens - If eye doesn't abduct, problem. The patient will go cross-eyed. To compensate they will turn their head to avoid double vision. 
Facial - Wrinkle forehead, smile, pucker, close eyes. Taste anterior 2/3 of tongue
Vestibulocochlear - Tuning fork
Glossopharyngeal - Gag reflex, tough, taste with posterrior 1/3 of tongue
Vagus - ??? Not in notes
Accessory - Rotate head and shrug shoulders against resistance
Hypoglossal - Stick tongue out straight 
---

Sensory representation:

Modality - Receptor type to specific type of stimulus. 
     -Labeled line coding = Direct assocaition b/w a receptor and a sensation.
Location - Stimulation of a specific area defines the receptor's receptive field. 
Intensity - Distinguished by frequency of AP's 
     -Number of receptors = population coding
     -Frequency of AP's = frequencv coding
Duration - Time


Free dendritic endings - pain and temperature 
Emcapsulated dendritic endings - nerve endings wrapped in connective tissue  and serve as mechanoreceptors. 
  • Meissner's corpuscles - detect light touch
  • Merkel discs - Also light touch like Meissner's corpuscles 
  • Krause's End bulbs - detect fine touch in mucus membranes
  • Pacinian Corpuscles - Deep connective tissue, respond to vibration and deep pressure 
  • Ruffini's Corpuscles - Found in dermis to respond to continuous pressure

Tonic receptors - Adapt slowly or do not adapt at all. 
     -Ex: Muscle stretch receptors, joint proprioceptors 
CNS must continually get info about degree of muscle length and joint position. 

Phasic receptors - Rapidly adapting receptors 
     -Ex: Tactile receptors in the skin
Don't respond to maintained stimulus 

---

Motor fiber types 



Sensory fiber types: 

___________________________________________________________________________________

Proprioceptors: Provide information about joint angle, muscle length & tension. 
  • Skeletal muscles, joints tendons, ligmaents 
  • Muscle spindles
  • Golgi tendon organs
  • Joint kinesthetic receptors 
Ia sensory fibers = Annulospiral endings, muscle spindles (found throughout skeletal muscle)
II sensory fibers = Flower-spray endings, golgi tendon organs
Only type IV sensory fibers are unmyelinated

-Gamma efferent motor fibers let the brain preset the sensitivity of the spindle to stretch.

Muscle spindles detect changing length of muscle via contractions and stretches. 

Pain, temperature, coarse touch, tickles and itches cross the spinal level. Fine touch and pressure crosses at the medullary level. 


---
Glutamate binds AMPA and NMDA resulting in AP, which transmit signals to higher centers.

Lateral spinothalamic - pain and temperature (cross at spinal cord)
Ventral (anterior) spinothalamic - coarse touch, tickle or itch (cross at spinal cord)
Medial lemniscus pathway - find touch, pressure (cross at medulla) (dorsal column) 

Conscious proprioception - Communicated by posterior column-medial lemniscus pathway. 
Unconscious proprioception - Communicated by dorsal spinocerebellar tract, to the cerebellum. 

Ascending and descending tracts in the white matter of the spinal cord in cross section: 


Major Ascending pathways for somatic senses: 
Spinocerebellar - proprioception from skeletal muscle to cerebellum of same side (don't cross) 
Dorsal Column - Discriminative touch sensation through thalamus to somatosensory cortex (cross in medulla) 
Spinothalamic - Nondiscriminate sensations (pain, temp pressure) through the thalamus to the primary somatosensory cortex (cross in spinal cord before ascending) 

Some Descending pathways

Pyramidal tracts: 
Lateral corticospinal - cross in pyramids of medulla; voluntary motor to limb muscles 
Central corticospinal - cross at spinal cord' voluntary to axial muscles

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E = CS^2 where S = Body weight, and C = Cephalization factor, and E = brain weight

-----

Reflexes: 
Rooting - reaction when infant's cheek is stroked
Moro reflex - startle response in reaction to sudden intense noise or movement
Grasping reflex - obvious
Sucking reflex - obvious

-----

Eyes open = Beta waves
Eyes closed = alpha waves

Sulcus - Groove and line
Gyrus - Hill and bump

Central sulcus - separates frontal and parietal loves. 
-----

Cerebral cortex:
Supplementary motor area - Complex patterns of movement (opening or closing hand) 
Premotor cortex - Important in orienting the body and arms toward a specific target
Posterior parietal cortex - Lies posterior to primary somatosensory cortex
     -If damaged, cannot process complex sensory information to accomplish purposeful movement.

Broca's area - in frontal lobe
Wernicke's area - in temporal-parietal lobes

Circumventricular organs - Parts of the brain that lack a BBB 

Pericytes - contractile cells that wrap around the endothelial cells of capillaries throughout the body. Allow the cells to regulate capillary blood flow. 

-----

Membrane equilibrium for potassium = -90mV
Membrane equilibrium for sodium = +60mV

-----

Conduction speed of electricity through neurons is proportional to square root of the diameter. 

Increasing diameter = Increase conduction velocity 

Decrease capacitance (through myelination) = Decrease amount of energy it takes to depolarize a membrane. 

-----

Tests to diagnose Multiple Sclerosis include lumbar puncture, including CSF oligoclonal banding. Also an MRI scan of the spine. 


---------------------------

Kinesin + Dynein = Fast axonal transport

Astrocytes take up and degrade glutamate and GABA. They also take up excess K+ from brain ECF.

Microglia release nerve growth factor which helps neurons and glial cells survive.

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___________________________________________________________________________________

NT's made from tyrosine = Dopamine, Noradrenaline, Adrenaline
NT's made from tryptophan = Serotonin, Histamine

Parkinson's disease - deficiency of dopamine
Schizophrenia - dopamine receptor abnormalities 
Norepinephrine though to be involved in etiology of bipolar affective disorders

1. Glutamate - Excitatory
  • Ionotropic
    • NMDA receptors (high permeability to Ca+)
  • Important in learning in memory
  • Neurotoxic if present in high doses for a long period of time. 
    • Neurons literally stimulated to death. 
  • AMPA is a non-NMDA-type ionotropic transmembrane receptor for glutamate
2. GABA - Inhibitory 
  • Selectively permeable to Cl- 
  • Benzodiazepines, barbiturates and alcohol augment effect. 
  • Decrease GABA inhibition = epilepsy 

Neuropeptides: 
Substance P - Transmits pain. 
Neuropeptide Y - Stimulates appetite and food intake 

NO and CO activates guanyl cyclase and cGMP 

H2S is a neuroprotectant against oxidative stress. It shows cardioprotective effects.

*Nicotinic receptor = Excitatory at neuromuscular junctions with skeletal muscle
*Muscarinic receptor = Inhibitory in cardiac muscle

Ionotropic receptors: 
  • Ion channels
  • Nicotinic receptors
  • Minimal amplification
  • Rapid
  • Glutamate and GABA act through these 
Metabotropic receptors: 
  • G protein-coupled receptors (GPCRs)
  • Muscarinic receptors
  • Large amplification
  • Not rapid 
  • Neuropeptides and biogenic amines act through these

Nicotine is an ACh agonist (ionotropic)
Curare is an ACh antagonist, and causes paralysis (ionotropic)

Muscarine mimics ACh (muscarinic) 
Atropine blocks ACh (muscarinic) 

Two types of muscarinic receptors:
M2: heart; opens K channels to hyperpolarize 
M1: intestine; closes K channels to depolarize 

---

Adrenergic receptors 
alpha-receptor response = vasoconstriction
beta-receptor response = vasodilation

Opioid receptors belong to a family of 7 transmembrane GPCRs

To get rid of ACh = acetylcholinesterase
To get rid of Norepinephrine = MAO (monoamine oxidase)

Ion channels = fast EPSP
GPCRs = slow EPSP

Presynaptic inhibition = inhibits some response
Postsynaptic inhibition = inhibits all response

Long-Term potentiation (LTP) = Activity at a synapse induces sustained changes in quality or quantity of connections . Glutamate is key element in potentiation since it's the main excitatory NT. 

Myasthenia gravis (PNS) - Severe weakness of the muscle. Functional disorder at the synapse b/w the motor neuron and skeletal muscle. 
     -Antibodies block or reduce number of nicotinic ACh receptors

Parkinson's (CNS) - Decreased stimulation of motor cortex by the basal ganglia. Insufficient formation of dopamine 

Schizophrenia (CNS) - Increased dopamine activity in mesolimbic pathway

-Benzodiazepines facilitate GABA binding 
-Agonistic action of GABA may account for the sedative-hypnotic and anesthetic properties. 

___________________________________________________________________________________

Sympathetic Nervous System = T1-L2
Parasympathetic Nervous System  = Cranial nerves III, VII, IX, X and emerge from sacral at S2-S4

Parasympathetic = ACh
Sympathetic = Norepinephrine 

Sympathetic = Long post-ganglionic neurons, postganglions release into adrenergic receptors, however, preganglions secrete ACh
Parasympathetic = Long pre-ganglionic neurons, postganglions release ACh, preganglions secrete ACh also

ACh is made from acetyl-CoA and choline
Catecholamines are made from phenylalening and tyrosine, in that order

Reserpine is a drug that blocks the transport of dopamine into vesicles. 

Nicotinic receptors = found on postganglionic cell bodies of all autonomic ganglia. 
Muscarinic receptors = found on effector cell membranes.

---

Adrenergic receptor systems

Beta 1 = heart, adipose tissue, Renin release from JG cells
Beta 2 = vascular smooth muscle, airway smooth muscle 



Muscarinic receptors - cardiac conduction system and exocrine glands and smooth muscles in PNS
     -In CNS, sweat glands




Termination of NT activity - through COMT and MAO.




Friday, July 22, 2016

How to Develop an Extraordinary Memory (And be Able to Memorize Absolutely Anything)

What is informally known as 'The Art of Memory', materialized in the period of Hellenistic Greece, where treatises written on rhetoric and logic were highly valued by society. Famously, Aristotle's Rhetoric stands timelessly above the rest. Our great Method of Loci, which is to be talked about here, originated from this classical period.

The oldest physical known work we have mentioning the Method of Loci is from Roman politician and philosopher Cicero, from his work De Oratore, and from what many believe to be his work, Rhetorica ad Herennium dating back to 80-90 BCE. At least, from the part of the book that mentions memory, the method has not changed at all since ancient Greece. This Greek (and what was to be adopted as a Roman) tradition has been passed down through the scholars of the ages, undergoing only slight minor revisions and creating similar mnemonic variations.

The technique is so simple (and powerful) in fact, that many inadvertently use it, remember content with it that is kept in memory for years, don't even realize the power of the tool they have accidentally stumbled across, and misconstrue it as something that was a product of being able to remember it via luck, or via maintenance rehearsal. People who compete in world memory competitions for example, almost unanimously use this method to memorize information, which successfully accounts for speed and accuracy more than any other method of memorizing.


Now, finally, the key to developing an extraordinary memory is by employing the following:


The Image-Number System, Major System, & PEG System are all variations on the Method of Loci, so it is evidently best to define and describe the Loci system first:


The Method of Loci:

The Method of Loci is a mnemonic technique which bases its philosophy on two basic principles:

  1. The human brain is inherently terrible at memorizing abstract information, which may include anything numbers related (mathematics, equations, etc.), intangible concepts, facts about the world, people's names, and the list goes on. 
  2. The human brain is inherently incredible at memorizing locations, and therefore formats of locations. It may be of no challenge to you if I ask for you to recall a location of your childhood, a house perhaps, and ask you to recall the format of the house. It is most likely the case that you would be able to tell me without much effort where the bedrooms are, the kitchen, the bathroom, where the bed is in a bedroom, the cabinet, TV, bookshelf etc. Even though you may not have been there in years, the format is still crystal clear in your head. 

There is an important implication to these scientifically studied principles: New locations, through evolutionary adaptation, are automatically stored to long-term memory, or LTM, in only one impression, whilst virtually everything else, is not stored in the LTM, but rather stored temporarily in the short-term memory. Therefore, in order for information stored in the short-term memory to cross-over to the LTM, there must be a period of maintenance rehearsal performed by the learner, which more often than not may take a substantial amount of effort depending on the complexity of the information, and signals no guarantee that the information won't be forgotten in 2-3 weeks. 


This begs to be exploited (what is termed exaptations), as it's an incredible resource provided by our brain's method of encoding spatial information. In simplest terms, the Method of Loci involves mentally placing objects of association into places already stored into the LTM in order to memorize information. The protocol is simple:

  1. Select the information you want to memorize. For the sake of example, let's take a simple concept or two from the skeletal system: "There are three types of bone: Cartilaginous, cancellous (aka spongy), and compact. Cancellous bone houses bone marrow. Red bone marrow is marrow primarily made out of blood, and yellow bone marrow is marrow primarily made out of adipocytes (fat cells)." 
  2. Select a location that is in your long-term memory, and one which you have a clear mental picture of its format. (Take a bedroom of a house for example) 
  3. Take a mental note of the stations of the room, and order them in your mind. Stations can be any piece of furniture, or any item that characterizes a room, such as a painting, a shoe rack, a keyboard, etc. Usually it's much easier to go in one direction (left to right, or right to left) so that there is not much mental effort expended in "memorizing" the order of the stations. 
  4. Select the first station, and place an object (or more) that will serve as an "anchor" to the concept being selected for memorization. This object may either be strategically chosen as a phonetic anchor (such as using a pan to remind one's self of the pancreas) or an anchor of an already held association (such as using Shakespeare to remind one's self of sonnets). Since phonetic anchors have a substantially higher range of possibilities, it is usually the case that these are the best choices. It is similar to the situation when you forget somebody's name, but your friend gives you the first letter or syllable such as "Ja-" to jog your memory, which promptly lets you remember that the person's name is "Jason". This is exactly that, but at a much higher level since it involves images.  
    1. In this example, the first station is the bookshelf of the bedroom. (In reality, the bookshelf probably has books in them already, but for the sake of this method, you only need to remember that the bookshelf is there, so it is quite fine to delete all the books from the bookshelf in your mind to make space for the objects you are about to put in it) 
    2. An ear is placed on the top shelf of the bookshelf (an ear reminds me of cartilage, since an ear is made out of cartilage). This is an anchor of an already held association. 
    3. Next to the ear, is a textbook I own called "The Biology of Cancer". In this case, I know how the front cover of the textbook looks, and so it is very memorable to me. This is a phonetic anchor, because all I need is the "Can-" in "cancer" to remind of "cancellous bone." (Alternatively, since cancellous bone is also known as spongy bone, I could have used a sponge to remember spongy bone. However, something a bit more ridiculous would be more memorable, so instead of a sponge, it may be better to use something like Spongebob.) 
    4. Next to the textbook is a sign of the "contact" icon used on the iPhone. Again, this is a phonetic anchor, because "contact" sounds similar to "compact". This particular image may be difficult to memorize than the others because it's so banal. So, when greeted with something as mundane as a phone icon, engorge it and accessorize it to make it ridiculous, and therefore more memorable. In my case, I simply make it bigger so that it's almost as big as a road sign, and laminate it so that it looks like it can be preserved for a long time. Just for some morbidity, I scatter drops of blood around it, just to solidify it in my memory. 
    5. On the shelf below, I place a display case, as ones found in museums, housing two arrows made out of bone (bone arrow ≈ bone marrow). The first arrow is covered in red blood. (Red bone marrow is marrow primarily made out of blood) And the second arrow looks like it pierced human fat, which looks like a glob of yellow, squishy, lump-like substance. (Yellow bone marrow is marrow primarily made out of fat). 
  5. Since the location you picked is already in your LTM, and since any object mentally placed in that location will automatically go into your LTM as well, and since the objects you placed in those locations are now associated with the information being memorized, therefore, the information associated is now in the LTM as well, in one fell swoop.  
Reading it typed out may make it seem like a long and arduous process, but all that has really been done to memorize the information in the example was placing four images on a bookshelf. Once the images have mentally been thoroughly reviewed (which only takes a couple of seconds) and "solidified" in the imagination, it will be very hard to forget the information memorized.


At first, it may take a couple of minutes to come up with memorable and clever images to place on stations and review it in one's mind. It is important to note that since you're making an effort to place information into the LTM in one single action, there will be no energy expended in trying to memorize information the other way around, namely the most common way that people memorize, which is to crossover information from the short-term memory into the LTM via brute force and repetition, or rehearsal. If one takes a minute to time the two methods, one will quickly realize how much faster (and more effective) using the Method of Loci actually is, since you are actively preventing the possibility that the information may be forgotten, in which case no time will be wasted anymore in re-learning information in the future. This is a huge time saver. 

Of course, like all skills, as one gets acquainted with the method, one will become much faster in coming up with memorable images to put in their designated locations (or what are commonly termed memory palaces), and so memorizing information will become almost effortless, no matter how complex the information is, for complex information can always be broken down into its simple components, in which the loci principle will still apply.

I can only speak for myself when I say that the affect that this method has had on me is quite astounding. Using this method for a little over two months now, the information I memorized is enormous, with almost no effort expended or stress developed to retain said information. It simply sticks into the LTM without fail. Now given the nature on how the recalling process actually works, it is quite a unique experience when I imagine myself situated in the middle of one of my memory palaces, because I can literally "point to" and "see" all the information I put into the room. It is a strange and pleasurable experience, because I feel as if I now "own" the information, in the same way I own my clothing, books, electronics or wallet. Rather than the information being in some "dark abyss" inside my mind, floating around with no guarantee that I'll remember it in the next 3-4 weeks/months, the information is now organized and put into a "place", in the same way I know in what place my laptop or desk is in reality.

This is the Method of Loci best described in a nutshell.
_________________________________________________________________________________

The Major System: 

The Major System is used solely to memorize numbers: birthdays, dates, phone numbers, account numbers, credit card numbers, address numbers, constant values, concentration values, stock market numbers, numbers in physiology, pharmacology, finance, economics, the list is endless.

The principle involves turning numerical digits into phonetic values, so that digits can be associated with consonant sounds. So if a digit is associated with a consonant sound, so is a string of digits associated with a string of consonant sounds. It then becomes possible to add vowels in the middle of these consonant sounds to make words that represent objects, which may then be placed into designated memory palaces.

The chart goes as follows:

0 = S,Z
1 = T, D
2 = n
3 = m
4 = r
5 = l
6 = Ch, Sh, J
7 = K, G
8 = F, V
9 = P, B

This is the standard chart that a majority of people use. It is the case that you can associate any consonant sound with any digit, so long as you are consistent and stick to the consonant sounds you associate with the digits.

For example, if you want to memorize the number: 77327576430949501408572, which is a random 23-digit number (in essence, the amount of numbers you would have to memorize in any debit or credit card, which includes the 16 digit code, the 4 numbers for the date, and the 3 numbers for the security code) provided by a random number generator, you can use the method to memorize the number (and store it into the LTM) in just a minute or two. (And if you're a veteran to the process, in only a couple of seconds)

You may want to break the number up into a digestible group of 2, 3, 4, or 5 so forming words in relation to the numbers may become as simple as possible.

If we take the first 5 digits we get:
7=K,G, 7=K,G, 3=m, 2=n, 7=K,G

Now if you're greeted with a number 3 for example, of course you pick the letter 'm' because that is the sound associated with 3. However with a number like 7, you have the option to pick either 'k' or 'g'.

Forming a string of consonant sounds for 77327 = k,g,m,n,k.

Adding vowels to 'kgmnk' we can get something like: "kage monkey" or "cage monkey". Note that the 'y' sound is associated as a vowel in this system, and that since the sound produced by 'k' (as in kangaroo) is the same sound produced by a hard 'c' (as in car), then the letter 'k' takes place of all hard 'c' sounds. Similarly, if a word that starts with a letter 'c' makes an 's' sound (as in the word ceramic), then the 's' will simply take over all of those 's' sounds that instead start with the letter 'c'.

Now, "cage monkey" are actually two distinct images: cage + monkey. Or, they can be one image, such as picturing the monkey inside of a cage. In any case, so long as you remember it as "cage monkey", they are now free to be put into any memory palace. (Let's say the couch of a living room).

Taking the next set of digits: 576430 = l,k,ch,r,m,s, these can be formed into "lucky charms".  So now place the lucky charms cereal box next to the cage monkey on the couch of the living room.

Taking the next set of digits: 94950140 = p,r,p,l,s,t,r,s, these can be formed into "purple stars". So now picture several shiny, floating, radiating purple stars, and place them next to the lucky charms.

Taking the last set of digits: 8572 = v,l,k,n, these can be formed into "volcano". So now picture an actual volcano (or it can be a fake volcano from a 3rd grade science project) next to the floating purple stars.


And that is the Major System in a nutshell. Instead of memorizing 23 random individual and abstract pieces of information in the form of digits, using the Major System, you need only recall 4 memorable pieces of information in the form of images, which are placed in designated loci (in this example, on the couch of a living room).
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The Image-Number System:

The Image-Number System is fairly simple, yet quite useful. The principle simply involves taking a digit such as '7' and forming an image out of that digit which looks enough like the digit to remind you of it.

For most of these digits, the images I am about to outline are also a standard, but you can come up with your own images as well. For example, the number '1' can be anything else that looks like a number '1', which is characterized by a straight line, like a pencil, a sword, etc.

0 = Dinosaur egg
1 = Spear
2 = Swan
3 = Open Handcuffs
4 = Flag
5 = Hook
6 = The trunk of an elephant
7 = Ax
8 = Snowman
9 = Floating Balloon

This can be creatively used as a tool to help remember information easier. For example, if I want to memorize a number in chemistry, like the Boltzmann constant (1.38064852 × 10^-23), I'll just use the Major System, easy enough. But if I want to refer to the actual number itself (like the number '1' or '4'), I'll use this Image-Number System.

An example: glyceraldehyde-3-phosphate = ice (glyc-) + cowhide (aldehyde) + open handcuffs (the number 3) + lighting match (because in spanish, a match = fosforo which to me is a phonetic anchor for phosphate)

So: glyceraldehyde-3-phosphate = Ice + cowhide + handcuffs + match. (The objects are all interacting with one another: I see the ice melting, and the water is getting on the cowhide. I see the handcuffs on top of the cowhide. I see that the match is lit, and the flames are slightly burning the handcuffs. This makes the image far more memorable) In any case, the point is that whenever I see open handcuffs in my memory palaces, I think the number 3, or whenever I see a swan, perhaps flapping its wings somewhere in my memory palaces, I think the number 2, and etc.

*I also find it useful for this system to be used for ordinals as well, such as 1st, 2nd, 3rd, etc.*

The principle can actually be generalized to symbols entirely. For example: the "≈" (approximately equal) symbol looks exactly like the symbol used to represent the air coming out of those hand dryers in public bathrooms. So I can use the image of a bathroom hand dryer any time I want to use the "≈" symbol when memorizing information. The "∆" (delta) symbol can be a pyramid (or a miniature pyramid), the "Ψ" (psi) symbol can be a giant pitchfork, the "α" (alpha) symbol can be a coiled-up snake, etc etc. etc. It's all up to the learner's imagination.


That is the Image-Number System in nutshell.
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The PEG System:

This is nothing new. All that is meant by a PEG system, is a system in which images are pre-memorized in order to aid learning of new information. This particular system is completely personal to the learner, and develops over time; also if you haven't already realized, the Image-Number System is in itself a set of pegs, where a "snowman" always means the number 8 (or 8th), and a "flag" always means the number 4 (or 4th).

As an example, my friend's themodynamics textbook is a peg that reminds me of thermodynamics. So whenever I see that particular textbook in one of my memory palaces, I think of the word "thermodynamics", or the concept of thermodynamics, because that's what the textbook will always mean according to my personal PEG system.

Combining all these systems makes memorizing effortless and fun, since the primary tool being used to store information is one's own imagination.

Last example, combining a peg + an image-number association:

  • Spear + thermodynamics textbook = 1st Law of Thermodynamics
  • Swan + thermodynamics textbook = 2nd Law of Thermodynamics 
  • Open handcuffs + thermodynamics textbook = 3rd Law of Thermodynamics
  • etc. 

That is the PEG System in a nutshell. In essence, pegs are best used for concepts that repeat constantly in a subject matter.
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To Conclude:

The 8 (Some people give a list of 7,8, or 9 depending on how they format it) ways that the brain memorizes information the most efficiently is through:

  • Visualization (Images, Places etc.) 
  • Association (Pan - Pancreas, Red flag - China, Ice cubes - Cold etc.) 
  • Out of the Ordinary Events  (Traumatic experiences, Insane experiences, Awesome experiences, Embarrassing experiences etc.) 
  • Rhythm (Song lyrics, Poetry etc.) 
  • Color (Adds vividness to memory. It's inherently easy to remember the color of objects.) 
  • Humor (Funny jokes, Dirty jokes etc.) 
  • Overview (It's easier to remember concepts in which one has a bird's eye view of said concept through contextual information) 
  • The 5 senses (Experiences hard-wire sensuous information to ameliorate memory recall, such as the smell of pizza, how it feels like to scratch a blackboard with one's nails, the sound of a bee's buzz near the ear, etc.) 

In essence, using these techniques will allow you to:

Picture a place and add objects (visualization) that are best associated with things you want to memorize (association). These objects ought to have vibrant colors, smells, textures etc. (color + the 5 senses) and should ideally be silly or ridiculous (humor). This will allow your "memory palace" to be extremely out of the ordinary in nature in comparison to other places you have been or haven't used yet (out of the ordinary events). Once you're done adorning your memory palace, you can then mentally "walk" through it and quite literally look at all the information you stored in those objects, whether it be backwards, forwards, starting in the middle, or any other way you want. This type of clever organization allows you easy access to the information that you need and experience instant recall (overview).

Quite evidently, these techniques combine 7 out of 8 of the best methods your brain uses to memorize information all in one system.
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Systematizing The Methods to Optimize Learning: 

In reality, it is up to the learner to come up with their own system to use the methods in the way they prefer to help reach their own intellectual goals. This is simply because everyone takes notes differently, learns differently, and uses different materials.

Given this, a list of tips & hints will do:


1) Make your objects as big, grand, bold, shiny and characteristic as you can, as well as silly and ridiculous as you can. These tend to be the most memorable.

2) Usually, it's best to pick an image that first pops into your mind when thinking about a concept. This is an insight on how you think, and most likely how you will think in the future when performing information recall. You can use it to your advantage.

3) If objects become "fuzzy", erase them/edit the memory palace and put in new and more memorable objects.

4) Experiment with a "magic number" of things to add on a station. This of course, varies with content and how much you can picture in your mental screen. Picture each object mentally as you add them to a station to see when it's a good idea to stop and move on to the next station. You don't want to put too many objects in one station. Remember, there shouldn't be any extra mental activity in using the Method of Loci. This is a tool, and the whole point of this is to reduce mental activity and stress to make memorizing easier.

5) Drawing your objects will help solidify them into your palace even more. The good news is that being Michelangelo is not required.

6) Make rules for yourself and stick to them. Making a list of these rules and keeping them handy will only serve you to help you even more. For example, I have a personal rule regarding order: if a person is holding an object, I always acknowledge the person first, and then the object.

7) Try not to pick palaces that are small in size or have low roofs. It can get mentally claustrophobic.

8) Draw/sketch the palace and list the stations before putting objects in them.

9) Rehearse palaces periodically (go through them in your head). They don't take much effort to rehearse and can be done while walking somewhere, while on the bus, or as you're staring at the ceiling before going to sleep.

10) A messy mind is a messy memory. Add information into memory palaces in a format that makes sense to you. For example: It's best not to add an object that represents a concept in chemistry and add two more objects that represent concepts in literature and music in the same room. That won't make too much sense. (Unless of course, there is a clever connection between the concepts that you know will allow you to more easily remember it).

11) Last but not least, these systems are in nature greatly personal. This is because everyone's imaginations are vastly different, and so everyone will use the system in vastly different ways. Given that, experimentation is the key to becoming veterans to the art of memorization, and thus becoming a strong and effective learner.  




Friday, April 8, 2016

The Mole People by Jennifer Toth

Jennifer Toth is a British journalist and writer. She graduated with an MA in journalism from Colombia University.

The Mole People was published in 1993
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(This post is a review, not a summary)


Strangely enough, this book has been sitting on my shelf for years unread, but it seems that only recently has it captured my interest, probably because I've ventured into my personal challenge of reading a book a week for a year. Given that I'm in the fourth month of the year, I have already passed the checkpoint of making this constant reading (and obsession to spend all my money on books) a solidified habit. By virtue of this, my curiosity has expanded to new horizons I would have never thought I'd reach willingly. But looking back in hindsight, I wonder why I've never had the urge to pick this up. I've never lived in New York City, but I certainly lived near it, and spent more weekends than I can count in the midst of its presence, so surely it must have had some meaning to me. In any case, it has meaning to me now, and I suppose that's all that matters.
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It first struck me as a surprise that there was an underground society of homeless people that lived underground one of the busiest cities on the planet. One, in their ignorance, unconsciously paints a list of pre-conceived notions in regards to homeless people. Some may be a bit simple-minded, such as the common line of thought that depicts homeless people as inherent failures who've never tried or care to try to climb up the ladder of the supposed meritocracy this country boasts. Some others may be a bit more advanced or thought about, such as the line of reasoning that acknowledges that our economic system is not perfect, and nor are people perfect, which may result in people with even technical college degrees out of luck in finding themselves a job, which eventually leads to landlord evictions and such, and ultimately to men without homes.

However, this book makes sure to make the distinction between homeless people that roam around the streets, and homeless people that live underground in the tunnels. There is a whole culture that has been crafted by the people who live underground in the tunnels. Similar to a Palahniukian Fight Club, it features its own set of unspoken rules, the first of which is implied, namely that one shall not speak of its presence willingly and blatantly, especially to people from "up there" who live above ground. The second rule is one that serves as an illustration of tunnel life being divorced from the law, namely that a homeless man shall not inform authorities on matters that involve other homeless people, for doing so risks the integrity of some major tunnels, and submits the tunnel life to being under the scope of the law. One doing so can also land himself in some life-endangering trouble if caught by other tunnel dwellers, which is what is thought to have supposedly happened involving Toth, and a victim of a murder by a tunnel dweller named Blade, Near the end of the book, Jennifer Toth describes her frightening experience with Blade, who was a friend in many respects for a grand majority of time spent with him, as he accused her of contacting the authorities after he thought she witnessed a man being murdered by his hand. This was speculation on Blade's part however, for it was based upon her not picking up the phone when she was called by Blade over a weekend where she was out of the city and unable to pick up.

A grand majority of the homeless tunnel dweller stories did have a few elements in common. The first is that they almost all come from really dysfunctional families. Fathers beating mothers, fathers and/or mothers absent, foster home jumping, the parturition of crack-addicted babies and the like, drug addicted parents, little to no education, rape cases, and the list goes on. The second thing I found was a common denominator in these stories was the passionate hate for society above ground. They truly believe society failed them in every respect, and the only way to truly live life is to live underground. They convince themselves that it is objectively better to live like this, because it entails an ultimate freedom.

The conditions are rough. The average life span for a homeless man living in New York City is around 45. Through Blade's account, some homeless people will kill other homeless people for anything without mental burden, whether it be for a place to sleep or for $5. Since it unanimously claims to be divorced from the law, it's a society that is riddled in anarchy.

The variety of homeless people was surprising to me. Some interviewed held degrees in biology and chemistry. Many studied literature and philosophy. In the end however, most of them seemed to revert to a scope of the world that viewed society as a system that would ultimately fail you in every respect. Of course, this is not the case. In reference to the types of people that live in the tunnels, children raised in the tunnels go to school, and people who are called "runners" are responsible for obtaining food, clothing, newspapers etc. for the rest of the community. Women who live in the tunnels have almost no freedoms of their own. They must seek protection from other men in order to survive, otherwise they would be hurt and raped.

Ironically, tunnel life is a lot safer for the homeless than the shelters built for them. Homeless shelters in New York City are notorious for the violence that ensues inside them. Some homeless men are beaten almost to death by other homeless men while they're asleep, just so they can obtain a piece of clothing or a pair of shoes. It's kill or get killed, which is why many prefer the tunnels as a potential safe haven both from society, and from outside violence.

This book gave me powerful insight on how homelessness not just affects your views on how economic insecurity can cripple anyone, but also how it changes your views on society, and maybe ultimately the fundamental principles that tether the deepest parts of your psychology. So much so that you start to become both incredibly keen with reality in some situations, and absolutely delusional in others. There are several quotes that stuck out to me in the book, but the one I got a nudge from was: "The thing about being homeless in New York City is, you'll never go hungry. There's just too much food around!"

Tuesday, April 5, 2016

A Modest Proposal, & Other Satirical Works by Jonathan Swift

Jonathan Swift was an Anglo-Irish satirist, essayist, political pampleteer, poet and cleric who became dean of St. Patrick's Cathedral in Dublin. He's also known for writing Gulliver's Travels.


A Modest Proposal was published in 1729.
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(This post is a review, and not a summary)

This is probably the most hilarious piece of writing I've ever read in my life. Reading this takes me back to when I first discovered Mad Libs as a kid. The approach to humor between Swift's work and Mad Libs is not the same, but what is the same is its inherent level of silliness. It's so silly that it becomes laughable. The style in which it's written is what makes it downright absolutely hysterical. It's written in the language of how one would write in the 18th century, but on top of that it's written very eloquently. It's this eloquence combined with the insane subject matter that gives this work its unique magic. Swift titles his work as a "modest proposal", which is the literary equivalent of a racist starting his sentence with "I'm not a racist, but. . . ."

The proposal is discovered to be a potential solution to the economic turmoil that infects Ireland at the time. The brilliant solution Swift proposes as a way to go about easing the tension plaguing the economy is to sell the children of the poor and impoverished to the rich as food. This way, the poor have more money to invest on themselves as opposed to their children that would otherwise be there if they weren't served as food, while the rich get to enjoy a novel delicious cuisine made up of unwanted babies. It's a win-win. Plus, the poor would get even extra money in their selling of their offspring.    

The explanation towards the proposal is amusing in it of itself, with generous 'guesstimations' and an argument that includes the attempt to persuade the readers in the savoriness of what are dead babies, by his "very knowing American of my acquaintance in London", who is implied to have tried the novel cuisine for himself, providing him with a particularly choice satisfactory dining experience.

It is of my opinion, and I am absolutely convinced, only by my sheer ignorance and only by hunch, that these are the origins of what is known today as deadpan comedy. The wiki definition seems to have it in a form that I cannot better express:
"Deadpan is an adjective, describing a deliberately emotionless and otherwise impassive, matter-of-fact manner. It is also a form of comic delivery in which humor is presented without a change in emotion or body language. It is usually spoken in a casual, monotone, or cantankerous voice, and expresses a calm, sincere, or grave demeanor, often in spite of the ridiculousness of the subject matter. This delivery is also called dry humor or dry wit, when the intent, but not the presentation, is humorous, blunt, oblique,sarcastic, laconic, or apparently unintentional."

As it was funny 300 years ago, it's still as hell of a lot funny today. Modern prominent deadpan comics include people like Steven Wright, Bill Murray, and Nathan Fielder.

The comedy's type is very closely related to anti-humor, where it "is a type of indirect humor that involves the joke-teller delivering something which is deliberately not funny, or lacking in intrinsic meaning. The practice relies on the expectation on the part of the audience of something humorous, and when this does not happen, the irony itself is of comedic value."  

Everybody should read this before they die. They say that laughter is the best medicine, but given the state of medicine in 1729, laughter was probably literally the best medicine they had at their disposal, and this work does absolute justice to that proposition. 


Monday, April 4, 2016

The Alchemist by Paulo Coelho

Paulo Coelho is a Brazilian novelist who bears the title of the all-time best selling Portuguese language author. He boasts an over 200 million copies sold which includes, his most famous work, being reviewed here.

The Alchemist was published in Portuguese in 1988, and published in English in 1993
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(This post is a review, and not a summary)


Ever since its publication in English and other various languages since the early 90's, this book has slowly climbed its way to the top in being one of the most known stories of international best-sellers. For whatever it means, it has also been on the "most loved" section of books in Barnes & Noble.


In my opinion, as much love and praise as this book gets, I didn't find it too terribly exciting. However, I did like it more than I disliked it. The story begins with the protagonist, an Andalusian boy named Santiago who's a shepherd. I did not get a sense of the time period in which this story takes place, but since it has to do with the practice of alchemy around places like Egypt, it can be anywhere from 3500 b.c. to 1720, which is the time that would give birth to the first remnants of what's known today as chemistry. More precisely, the appearance of characters in the story that practiced Islam and belief in Allah would hint to the time period of the story being at least after 632 CE, which is the date of Muhammad's death.

I can't put any blame on the author for writing a book that's based on chemistry's ancestor, because during the times when alchemy was prominent, so were strange beliefs in all types of numinous phenomena. Perhaps this is why this book doesn't strike me as "too terribly exciting", because the characters are only as intelligent and insightful as can be their intellectuals at the time. This means that we're talking about a pre-enlightenment, or even pre-renaissance period. Now this wouldn't really matter if the book wasn't obviously trying to instill a lesson or moral precept onto you. This is the hint I was getting from The Alchemist, and the lessons the characters were attempting to teach Santiago were paradoxically both powerful and boring.

What do I mean by that? Well, one of the key proposals (and I think I can say with confidence, the main lesson) that kept being repeated throughout the entire book, was to follow "your personal legend", or so to say your dreams. Quite literally actually, because Santiago's personal legend was to make a pilgrimage to Egypt and find a treasure near the pyramids, which he acknowledged (with the help of a gypsy woman) from a recurring dream he had. It is important to give the distinction that the book refers to childhood dreams in specific, and not adult aspirations. This is powerful in the sense that one does not regularly give serious time and thought into what one used to fantasize about as a child, even with the advantage of hindsight as an adult. The book in fact (the character Melchizedek) suggests that it is through some "mysterious powerful force" that we in fact lose sight of our childhood fantasies and dreams when we become adults, so the very becoming of an adult works to one's disadvantage in remembering the kinds of dreams one used to think about as a child. The lesson is also boring in the sense that "go and follow your dreams" cannot be anymore cliche`.

Around the middle of the book, I had found that the constant heavy personification of the heart started to become too cheesy for my taste. There's an infamous fine line between poetic and cheesy, and it's easy to cross that barrier, especially when you're having a full length conversation in the middle of a desert with a guy who claims to be a 200 year old practicing alchemist about how you should listen to your heart.

Like all interesting books, the main character manages to find love throughout the way. She's a girl named Fatima who lives in an oasis, which seems lovely, except that Santiago ends up falling in love with Fatima almost immediately after he meets her. With all the best of intentions the author has in mind to establish a cute spark of love inside the protagonist, I cannot help but think how borderline obsessive that kind of behavior is. He even tells Fatima that he loves her and wants to be with her just shortly after he meets her. It actually made me laugh at how silly the timing was.

However, Fatima was not just some girl put in the story as a means of adding another tested-and-proven ingredient of what makes a popular novel. She provides with an unexpected internal conflict in the protagonist that's integral to the plot. Bad novels put the ingredients in the pot without any care for concentration and quantity, but good novels like The Alchemist tie the ingredients together in a way that make them crucial to the integrity of the plot. Fatima, of course, has a hold on Santiago, which makes him confused on what his heart genuinely wants. I personally loved the conversation he had about her with the alchemist. In a sentence or two, the alchemist told him that if he stays with Fatima and doesn't venture out to obtain the treasure and complete his personal legend, he will regret it, and Fatima will eventually feel guilty for making that happen. However, if he leaves Fatima, ventures out to obtain the treasure, and comes back to Fatima, he'll have the treasure, and he'll know whether Fatima's love was worth it or not based on whether she waited for him or decided to forget about him. The subtext there is that the alchemist told Santiago not to think with his penis. In fact, that should be the title of the book: "Follow your dreams and don't think with your penis."

But aside from all of the things I found cheesy or void of excitement, the rest of the book struck me as a pleasure. The classic adventure story where the boy ventures out to find some treasure is always nostalgic to read. Needless to say, the whole time I was reading I thought that the treasure was going to be a metaphor, but Santiago actually ends up finding an actual physical treasure, which was a nice unexpected surprise. Overall, because of the nostalgia factor of the plot, compounded with the popularity of the book, I found the book worth it to read, and I definitely didn't finish the book with a frown on my face, which is always a good thing.